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THE NC-16 version of 'Lust, Caution'
released last month in Singapore was 148
minutes long. Any individual resourceful
enough to check IMDB for filmmaker Lee Ang's
latest masterpiece would know that the movie’s
full running time is 157 minutes.
So what was in those missing nine minutes?
Watch out for these three
best scenes in the R21 version that's currently
playing in cinemas.
The
violent murder scene of an associate of
Mr. Yee.
The murder scene shows repeated
stabbings by Kuang (the head of the drama
group) and the rest of the males in the
group. Fumbling and clumsily executing their
victim at best, the young idealistic students
are awakened to the harsh realities of having
to kill to fight for their cause.
The requisite ‘de-virginization’ of Wong Chia
Chi by her fellow drama troupe cohort.
The first of the much-touted sex scenes
happens almost an hour and a half into the
movie. In order to pass-off as the married
Mak Tai Tai, Wong Chia Chi has her first
sex with the only sexually experienced male
in the drama group, while the rest pretend
to go about their daily routine with unease.
Wong Chia Chi (as Mak Tai Tai)
and Mr. Yee’s first sexual encounter.
Brutal is the word to describe
Mak Tai Tai’s and Mr. Yee’s
first sexual encounter. Graphic in nature,
the sexual act is one of aggression and
hardly titillates the senses. It is gut-wrenching
to watch as would be the rest of the sex
scenes to come.
'Lust, Caution' is an erotic espionage
thriller set in World War II Shanghai about
a torrid love affair of a young woman (Wong
Chia Chi), enlisted by the Chinese resistance
movement to seduce a high-ranking Japanese
collaborator marked for assassination (Mr.
Yee) and the object of her seduction himself.
It is based on the short story by revered
Chinese author Eileen Chang and stars Asian
cinema icon Tony Leung opposite screen newcomer
Tang Wei.
Last September it won the Golden Lion for
Best Film at the Venice Film Festival, the
world's most credible international film
festival..
Most of the talk surrounding
Ang Lee’s latest masterpiece was about
supposedly controversial sex scenes that
some said bordered on being pornographic.
It was the director himself
who deleted these scenes in the movie's
NC-16 format thus the argument by
the film's distributors that it was still
an "original" and not a censored
version.
For those who have held-out
from watching the lighter version, last
week's showing in Singapore of the R21 release
spells victory for artistic integrity.
Those who had seen the
previous version also say the uncut release
is better, as it shows the director's original
vision.
The audience are also able to appreciate
the depth of characterization and the motivation
behind the characters actions.
In the sex scenes, for example, one can
just imagine the struggle and pain Wong
Chia Chi had to endure to bring about her
mission.
With each act of submission, she draws
herself closer to Mr. Yee, enabling a deeper
level of trust, a connection formed by co-dependency.
The viewer is left to question when the
line between duty-bound role-playing and
that of love brought about by all-consuming
passion was crossed.
While these scenes do punctuate the deliberately slow-paced film, the beauty of the movie is in the Asian nuances that are captured in the director’s attention to detail with each framed scene.
It is for this reason that the film has met mixed reaction in different parts of the world.
One may argue that the subtlety of how Asians express themselves is something foreign and can easily be missed by the Western world.
But for Ang Lee, how the film is received in Asia is what matters most.
By all indications, he has yet again delivered a cinematic masterpiece and has done us proud.
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